Sunday, November 7, 2010

Grandpa Yung


My grandpa was 91 years old when he passed away last Wednesday 27 October. It’s sad whenever someone close passes away but it is my grandpa’s good fortune that at the end of his life, he could say he lived 91 glorious years. It's his blessing that he escaped the pain and suffering of the last stages of stomach cancer.

I try to focus on the good things.

My grandpa has experienced life and I mean really experienced life. He was an athlete and a dancer growing in China, worked for the British Navy whilst in Hong Kong, worked as a restaurant manager of a highly-regarded Chinese restaurant in Sydney. He even represented himself in court when faced with some immigration issues and of course, he won.  Fiesty is my grandpa.

My grandpa is also naturally musically gifted and possesses perfect pitch.  He arrived on the shores of this land and heard Waltzing Matilda. Up until a few months ago, he would still play this song for me every time I visited him. His love of music lasted his entire lifetime.  Even in his final days when the cancer prevented him from doing anything, he would sit back and listen to those slow, melodious, soulful songs of a Hong Kong once filled with stylish women in tailor-made qipao and men curious of western suits.

Tomorrow is the funeral of my grandpa and then in the next few days we will take him to the temple in Wollongong to rest alongside his favourite son.

I can’t say I agree with everything my grandpa did in his last few years but what’s happened has happened and our concern now is that he peacefully slips away into the next world knowing how much love this family has for him.

Grandparents are so precious. Presently, my grandmother (on the other side) is living with us and these days I can’t help but show affection every chance I can. We go for short walks, we play mah jong, we have little morning and afternoon teas, we chat in bed as if we are school girls having a slumber party...

Just today I finished writing up the memoirs of my grandma... To my grandpa, here's also my personal tribute:


Thursday, August 12, 2010

Scrapbook Scores



I'm excited. See here.



Saturday, May 15, 2010

Canon in D


Pachelbel’s Canon in D. You know it. I know it.  It’s one of the most famous classical tunes in modern era.

Tonight stewOZ and I went to see the Australian Brandenburg Orchestra. The evening was reserved for Palazzo Baroque with a special guest from Italy - Maestro Federico Guglielmo.

It was simply marvellous.

I was however intrigued by the improvisation of Canon in D which appeared about halfway through the program. Most music students will know that Canon in D is one of the most fun pieces of music to improvise to. In Canon in D all the chords are diatonic which means you can use one scale - the D major scale - to improvise over that steady bass we've all come to recognise. 

Most piano students have attempted such improvisation and once upon a time, I would spend several hours a day improvising over Canon in D. It was most fun :)

Needless to say when I arrived home tonight the first thing I did was open my piano lid and start improvising over Canon in D. Of course, my piano skills are nowhere comparable to Paul Dyer on his harpsichord. But it's nice to know and perhaps to dream, even for a second, that I share something in common with the Artistic Director of the Australian Brandenburg Orchestra.

Sunday, February 7, 2010

stargate theme (wedding version)


Here it is.....

stargate theme (wedding)

The score for 3 violins and a cello is with the quartet leader but here's a piano version to obtain some initial feedback. 

The question is... can you see a bride, my brother's beautiful fiance, walk down the aisle to this?

Here's the original soundtrack: stargate theme (original)

Saturday, January 30, 2010

Based on experience


(which really only entails the past 3 hours of arranging for a string quartet)
· 
  • I enjoy working with melodies and how they should be managed and figuring out harmonies later.
  • I have the arrangement worked out in my head way before being able to translate it onto manuscript paper.
  • I find the process of coming up with melodies, countermelodies, themes, harmonies most enjoyable. Conversely, I find the process of writing it all down most painstaking. 
  • I quite like the idea of violins and cellos each taking their turn with management of a melody. 
  • My ability to notate lags significantly to my ability to come up with themes.
  • I much prefer composing with manuscript paper, pencil and an eraser rather than utilizing Sibelius, a scoring computer program.
  • I find it much easier to compose piano arrangements. In truth, I really should’ve had a better grasp of the range and ability of string instruments before I started.
  • Arrangements for string quartets work best in D major if you are unfamiliar with writing for strings.
  • The D string on the cello has a very lyrical, beautiful sound.
  • Every time I compose or arrange, I learn.  

It all started...


… from that one scene in a French film called “Blue”. Blue or more accurately Trois Couleurs: Bleu is the first in the Three Colours trilogy by acclaimed director Krysztof Kieslowsk and starring one of my favourite actresses Juliette Binoche.

There is this one scene where Ms Binoche attempts to complete an unfinished piece of musical work, a piece celebrating “the unity of Europe”. She sits in the middle of the floor and composes, note by note, and it all comes to her naturally. She strikes out trumpets, replaces drums with bells…. The audience has the benefit of hearing the music develop through the film soundtrack. The protagonist hears the music in her head.

It’s simply an amazing scene.

My good friend Cherie introduced me to this film a few years ago particularly with reference to this scene.  The film has become a firm favourite and this particular scene has always stuck with me. It inspires and I aspire. The idea of being able to compose like the protagonist is quite an extraordinary thought and today I had my own little extraordinary moments.

I'm no grand composer. Nowhere near it. In fact, I still call myself a possible composer. But today when I was arranging my brother’s wedding march, there were some moments. “The first violin shall carry the melody….… and the cello shall take the melody from here…” all whilst sitting in front of my piano.
The arrangement is pretty much finished and I’m pretty happy I fell into that orchestration class by accident howeverso many years ago at the Conservatorium.

I've not composed a masterpiece but it’s given me a few extraordinary moments I can call my own.   

Thursday, January 28, 2010

The New Year


It’s been a busy start to the new year. New job, new routine, new projects... a new holiday home is underway and a newly-booked holiday is on the close horizon :)

I've started the new year in a new role. It’s for an established charity in Sydney.... and suddenly the day-to-day of my everyday becomes important and matters. I would definitely say an inspirational dividend goes a mile.

I’ve also been commissioned to write a new piece of musical work. 

A wedding march.

To be paid for by much love and consideration.

The best way to be paid :)

My brother is getting married and he and his fiancĂ© have asked me to write a wedding march. The task is to arrange the theme to Star Gate SG1, my brother’s favourite TV show, appropriate to accompany the bride’s walk down the aisle.

Funnily enough, I think it's actually a present to me. I suspect  my brother and my to-be sister-in-law know how much I enjoy composing...

Just in case you’re curious, here’s a link to the theme: Stargate SG1 Theme.

What do you think?

I hear 3 violins and a cello....